Back to the journal2026 year №2

Contemporary Serbian Folkloristics on the Pages of “Folk Art and Ethnology”

Read the articleRead the articleDownload the article
The authors of the publication:
Mykytenko Oksana
p.:
52–61
UDC:
398(497.11):001.8(477)
DOI:
https://doi.org/10.15407/nte2026.01.052
Bibliographic description:
Mykytenko, O. (2026) Contemporary Serbian Folkloristics on the Pages of “Folk Art and Ethnology” Journal. Folk Art and Ethnology, 1 (409), 52–61.
Received:
19.02.2026
Recommended for publishing:
03.03.2026
Рublished
04.03.2026

Author

Mykytenko Oksana

a Doctor of Philology, a leading research fellow at Ukrainian and Foreign Folkloristics Department of M. Rylskyi Institute of Art Studies, Folkloristics and Ethnology of the National Academy of Sciences of Ukraine (Kyiv, Ukraine).

ORCID ID: https://orcid.org/0000-0001-7613-8557

 

Contemporary Serbian Folkloristics on the Pages of “Folk Art and Ethnology”

 

Abstract

The article is devoted to the reception of contemporary Serbian Folkloristics in Ukraine. The publication of the scientific works of Serbian folklorists in the “Folk Art and Ethnology: Serbian Folkloristics” journal (2012, no. 2) is submitted in this context. The special issue has been published as a result of a joint international project involving M. Rylskyi Institute of Art Studies, Folkloristics and Ethnology of the National Academy of Sciences of Ukraine, the University of Belgrade and the Institute of Balkan Studies of the Serbian Academy of Sciences and Arts. The number comprises twenty scholarly articles addressing topical issues of a broad interdisciplinary nature and representing the diverse folkloristic interests of various academic and educational institutions in Serbia. The significance of the published work is associated with the attention paid to intangible cultural heritage as a factor of national (Ukrainian and Serbian) identity; at the same time the anthropocentric foundations of contemporary scholarship and a modern approach to the analysis of the folklore text are emphasized. Within contemporary anthropocentric frameworks, particular attention is devoted to the relationship between folklore and the mentality of people, paying attention to the communicative and functional capacities of the word – of that which is represented in folklore as a traditional megatext. Furthermore, current changes in the paradigm of folkloristics are associated with transformations in the very concept of the folklore text, which increasingly acquires the significance of a communicative act and an act of culture. Consequently, the modern stage in the study of folklore constitutes a qualitatively new phase in comparison with the previous period in the development of folkloristics and ethnology, including the Slavic countries. Continuing the long-standing cooperation between Serbian and Ukrainian folklorists, the special issue of “Folk Art and Ethnology” journal, called Serbian Folkloristics, has opened new opportunities for joint research aimed at the preservation and popularization of folklore in modern world.

 

Keywords

contemporary Serbian folkloristics, reception, Ukrainian translation.

 

References

  1. AIDACHYCH, Deian. Nixies in the Folk Ballads of the Balkan Slavs. Folk Art and Ethnology: Serbian Folkloristics, 2012, no. 2, pp. 11–16 [in Ukrainian].
  2. GARONIA-RADOVANATS, Slavitsa. Motif of a Serpent-Bridegroom in the Serbian Verbal Poetry. Folk Art and Ethnology: Serbian Folkloristics, 2012, no. 2, pp. 50–54 [in Ukrainian].
  3. DELYCH, Lidiia. Quarrel of Hero with Nixie through Erection of Tent. Folk Art and Ethnology: Serbian Folkloristics, 2012, no. 2, pp. 41–44 [in Ukrainian].
  4. DETELYCH, Miriana. Milman Parry, Albert-Bates Lord and John Miles Foley: What are We to do with Them. Folk Art and Ethnology: Serbian Folkloristics, 2012, no. 2, pp. 59–63 [in Ukrainian].
  5. DZHORDZHEVYCH, Smiliana. Methodological Problems of Local Folklore Researches: Guslar Repertoire. Folk Art and Ethnology: Serbian Folkloristics, 2012, no. 2, pp. 94–100 [in Ukrainian].
  6. ZLATKOVYCH, Branko. Historiography and Verbal Folk Chronicle. The Epic World of Tradition. Folk Art and Ethnology: Serbian Folkloristics, 2012, no. 2, pp. 80–83 [in Ukrainian].
  7. KARANOVYCH, Zoia. Brother-Sister Incest: Between Hierogamy and Sin (As Exemplified by the Poems about Tsar Stefan’s Intention to Marry His Sister). Folk Art and Ethnology: Serbian Folkloristics, 2012, no. 2, pp. 35–40 [in Ukrainian].
  8. KLEUT, Mariia. Rite of Bestowal, Or a Survey of Blind Mendicants’ Songs. Folk Art and Ethnology: Serbian Folkloristics, 2012, no. 2, pp. 17–21 [in Ukrainian].
  9. LOMA, Aleksandar. Russian Sviatohor and Serbian Mark of the Holy Mountain (Marko Svetogorac). Folk Art and Ethnology: Serbian Folkloristics, 2012, no. 2, pp. 22–29 [in Ukrainian].
  10. MYLOSHEVYCH-DZHORDZHEVYCH, Nada. Concept of Historical Ballad and Epic Folk Song «A Kosovka-Girl». Folk Art and Ethnology: Serbian Folkloristics, 2012, no. 2, pp. 84–88 [in Ukrainian].
  11. PANDUREVYCH, Yelenka. The Complexity of a Metaphor. Voice and Tears as the Axis Mundi. Folk Art and Ethnology: Serbian Folkloristics, 2012, no. 2, pp. 45–49 [in Ukrainian].
  12. PETKOVYCH, Daniela. Remnants of Separation Ceremony in the Epic Bridal Songs. 3. Folklore Cultural Entity. Folk Art and Ethnology: Serbian Folkloristics, 2012, no. 2, pp. 55–58 [in Ukrainian].
  13. PESHYKAN-LIUSHTANOVYCH, Liliana. Doll and Rite. Folk Art and Ethnology: Serbian Folkloristics, 2012, no. 2, pp. 78–89 [in Ukrainian].
  14. PYTULICH, Valentyna. The Saint’s Cult in Serbian Folk Tradition. Folk Art and Ethnology: Serbian Folkloristics, 2012, no. 2, pp. 71–74 [in Ukrainian].
  15. RADENKOVIĆ, Ljubinko. Pogled na slovensku folkloristiku [A View of Slavic Folkloristics]. In: Ljubinko RADENKOVIĆ, ed. Slovenski folklor i folkloristika na razmedji dva milenijuma [Slavic Folklore and Folkloristics at the Turn of Two Millennia]. Beograd: SANU – Balkanološhi Institut, Posebna izdanja 191, 2008, pp. 7–11 [in Serbian].
  16. RADENKOVIĆ, Ljubinko. Demonic Wedding in the Folk Legends. Slavic Parallels. Folk Art and Ethnology: Serbian Folkloristics, 2012, no. 2, pp. 6–10 [in Ukrainian].
  17. RADULOVYCH, Nemania. Codex of the «Another World» and the Problem of the Immoral of a Hero. Folk Art and Ethnology: Serbian Folkloristics, 2012, no. 2, pp. 101–105 [in Ukrainian].
  18. SAMARDZHYIA, Snezhana. Wise Men of the Serbic Folk Short Stories Folk Art and Ethnology: Serbian Folkloristics, 2012, no. 2, pp. 89–93 [in Ukrainian].
  19. SYKYMYCH, Biliana. A Traditional Riddle and Set of Solutions of a Riddle. Folk Art and Ethnology: Serbian Folkloristics, 2012, no. 2, pp. 30–34 [in Ukrainian].
  20. SUVAIDZHYCH, Boshko. The Singer and Cultural Identity. Folk Art and Ethnology: Serbian Folkloristics, 2012, no. 2, pp. 64–70 [in Ukrainian].
  21. SUVAIDZHYCH, Boshko. Nada Milošević-Đorđević (1934–2021). In: Ljubomir MAKSIMOVIC, Zoran KNEZEVIC, Nada MILOSEVIC-DJORDJEVIC, eds. Život i stvaralaštvo žena članova Srpskog učenog društva, Srpske kraljevske akademije i Srpske akademije nauka i umetnosti [The Life and Work of Women Members of the Serbian Learned Society, the Serbian Royal Academy and the Serbian Academy of Sciences and Arts]. Beograd, 2023, vol. 3, pp. 71–117 [in Serbian].
  22. TREBIESHANYN, Zharko. Predicting the Sex of a Child. Folk Art and Ethnology: Serbian Folkloristics, 2012, no. 2, pp. 75–77 [in Ukrainian].

The texts are available under the terms of the Creative Commons
international license CC BY-NC-ND 4.0
© ІМФЕ